WEBVTT

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Let's see what the

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Printing settings tab and

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What are the most relevant parameters

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I can control it from her.

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The print settings tab

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controls all lamination parameters

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which in theory depend on the

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Parts, not of the printer or

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of the filament.

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And that's where I have the biggest

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the variety of parameters.

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There are the parameters that we

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They sound to everyone like

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Layer height, filling, the

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number of perimeter, etc.

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How do I organize it?

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Like I said...

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I like to have one.

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Same profile for all my printers

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And for all sorts of

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impressions that I make.

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Why? Why? Why?

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'Cause I like to have the least

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the potential for variability and to not have

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Then we solve different problems and

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Because I really don't need much.

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a variety of profiles.

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I always print

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Layer height is what

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One that changes, but I always print.

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with the same number of perimeter,

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with the same filling, to the

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same speed that's pretty low,

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Because I want a conservative profile.

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And that it always works.

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The only parameter I usually change

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is the height of the layer

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That's the only thing I'm falling for

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adapting piece to piece or other

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Things like filler and the

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Raft or support I can do it

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change directly from this part of

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the platform tab of PrusaSlicer.

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Like I'm telling you, I use a

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standard profile and a flexible profile.

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What's the difference in profile?

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flex?

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Well, because it's slower and

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That's it.

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It's the only thing I control for

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flexible materials from the tab

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the configuration.

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Here's a third profile that

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It's specific to lithophanies, so

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It's called LP, litophane.

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And that's it, it's a profile

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I use it for some kind of special.

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for these lithophanies,

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I do it at my company.

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And that's it, I really do

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I'm good for 90 percent.

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Of my needs with this profile

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standard.

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What parameters are most relevant

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and which ones I'm going to

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To be well-controlled

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PrusaSlicer without having to check

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all the parameters?

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We have the printing parameters and

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Here I have different subcategories with

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different

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parameters that I can modify.

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Where's the most important thing?

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Here in layers and perimeter.

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In layers and perimeter I have the

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Layer height and height

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of the first layer.

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Height of the first layer normally

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I'm not gonna want to touch it,

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I'm leaving a height of zero two.

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constant and the height of the

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layer if it is one of

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parameters that I'm going to change more.

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The height of the layer can

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Go from zero to a millimeter.

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That's a tenth of a millimeter.

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or also said in microphones are

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A hundred microns and I can go.

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I'm going to increase anything I want.

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A fair amount of courage that would give me

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a good print quality although

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I'd have a lot more time.

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print would be zero with a millimeter.

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A value that is what

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I use it for most things.

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My pieces are zero with two.

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Millimeters, which is a good balance.

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between printing time and quality

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of the piece.

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And when I want to print pieces very

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Quick, I have to remind you that

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This is the most important factor in the

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Print speed is the height

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layered, it's the most

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direct to influence speed

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I'm not sure what I'm going to do.

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I want you to take as little time as possible.

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I mean, it's more direct to increase

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the layer height to increase

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speed, which decreases the number of

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of perimeters, etc.

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Although he's going to impose a

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The cost of finishing, because when I use

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higher layer heights, my

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The piece makes me rougher and

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You can see me.

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the layers.

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How far can I go?

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What is the maximum limit of

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the layer height?

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In my case, I have a

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Printing press with mouthpiece of

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I'm going to get to a maximum.

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Of a width of not more than 30 mm

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of layer height because because

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Which sets the barrier for me.

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Higher is often said to be

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80 percent of the diameter

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of the zero nozzle four millimetres

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the eighty percent zero

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Four millimeters would be zero thirty and

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two millimetres

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That is the case with regard to

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layer height.

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What other important things do we have here?

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The number of perimeter.

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If I wanted to print very fast, I could

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lower the number of perimeter to

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a perimeter, but not since

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Then I'll give you some advice.

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When I print with a single perimeter,

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Apart from that the pieces me

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They're going to be very weak and

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You can get to...

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breaking it up I'm gonna notice

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We'll see the stuffing.

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through the perimeter because

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With only one layer I'm going to

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to distinguish the filling that is

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inside and I'm going to

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See that perimeter warped by the

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Inside filling then a good number

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In this case, the maximum perimeter would be a minimum of

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two

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Wherever you want to take it if

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It wants to increase the resistance of the

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Piece remembers it's always more

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Indicated to increase the number of perimeter

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That the infiltration because because the

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perimeters and that external surface of

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The piece is the most

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It influences any geometry at the

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Time to put up with mechanical stresses

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That's why I repeat it's a trick.

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When I want to make stronger pieces

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It's better to start by increasing the perimeter.

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Instead of increasing the filling,

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That's what he usually does.

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Almost everyone.

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The number of solid layers is the

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number of roofs of layers which

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He's going to build the laminator first.

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To finish every floor of the

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the part or every roof of the

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The coating.

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Three, four, five, six pieces, six

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layers is usually the most appropriate.

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That's about where I'm going.

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I'm going to stay.

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What's the only other parameter

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What would I notice?

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I like this one, insuring

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the thickness of the vertical housing,

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Now I'll show you what it means, and

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The subject of sewing.

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Why did I look at the

00:05:59.848 --> 00:06:01.649 align:center
thickness of the upper layer?

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Well, when I'm working for

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For example, three or four or

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five or six floors or ceilings,

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In this case ceilings, you can me

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It's going to happen like it's happened to me.

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This piece,

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than the upper layer having

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an angle that is wrapped not

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She's able to finish it.

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Well, in that case, I can choose

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by increasing the number of layers

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vertical or by activating this of

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Here, to ensure the thickness of

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The layers and I can stay

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pieces like this.

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That's perfect, instead of

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The one I had before, that I eat.

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You can see it's not finished well.

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That's the only setting that

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I'd look into it.

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And if you'd like to go a little bit

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I'd go further and start investigating the

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It's about sewing.

00:06:52.000 --> 00:06:53.261 align:center
What does sewing mean?

00:06:54.262 --> 00:06:55.843 align:center
Sewing is that point in the

00:06:55.883 --> 00:06:57.784 align:center
The printer starts and ends.

00:06:57.824 --> 00:06:58.204 align:center
The coat.

00:06:58.284 --> 00:06:59.364 align:center
To climb from a layer to

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Another one, you have to stop for a second.

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and up.

00:07:02.426 --> 00:07:04.027 align:center
And that's why sometimes I

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It leaves a little bit of material.

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For example, in this piece,

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Sewing is very important because

00:07:14.421 --> 00:07:16.143 align:center
I can't leave any sticks of material.

00:07:16.343 --> 00:07:18.964 align:center
In all this surface that is

00:07:19.024 --> 00:07:21.086 align:center
a smooth and shiny surface in

00:07:21.126 --> 00:07:22.046 align:center
That case you're not going to.

00:07:22.066 --> 00:07:23.267 align:center
Let's see why this piece is

00:07:23.447 --> 00:07:26.889 align:center
Pretty well done even if it's not.

00:07:26.929 --> 00:07:30.071 align:center
Very humble to say but all the

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Seams are in this corner that

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It's where they're best concealed and

00:07:34.895 --> 00:07:37.436 align:center
They don't really appreciate it when it starts.

00:07:37.456 --> 00:07:38.997 align:center
Having sewing problems

00:07:40.413 --> 00:07:41.675 align:center
That is to say, of little punches that are

00:07:41.715 --> 00:07:42.996 align:center
They stay on the surface, I

00:07:43.016 --> 00:07:44.297 align:center
I'm gonna take care of this.

00:07:44.338 --> 00:07:46.700 align:center
Here and I'll fix it.

00:07:48.742 --> 00:07:49.684 align:center
In this from here that I

00:07:49.744 --> 00:07:51.085 align:center
It allows you to paint the seams.

00:07:51.426 --> 00:07:52.647 align:center
But we'll leave that for one.

00:07:52.707 --> 00:07:53.548 align:center
A little later.

00:07:55.682 --> 00:07:58.224 align:center
When we talk about stuffing, it doesn't matter, what

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I'll see what it is.

00:07:59.305 --> 00:08:00.646 align:center
The most important thing I'm leaving

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to fix it?

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I wouldn't mind more than that.

00:08:03.429 --> 00:08:05.150 align:center
density at which I can have

00:08:05.390 --> 00:08:08.152 align:center
Filling values from five

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10 to 20 percent

00:08:10.234 --> 00:08:11.515 align:center
And in very extreme cases I can.

00:08:11.575 --> 00:08:13.057 align:center
fill the part completely to the

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eighty to one hundred percent.

00:08:14.958 --> 00:08:16.158 align:center
And in the filling pattern.

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Like a normal pattern like a grid,

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line, triangle is more than enough

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to make my pieces.

00:08:24.501 --> 00:08:26.621 align:center
If I want to go to a pattern

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For example, it has the same properties.

00:08:29.282 --> 00:08:30.542 align:center
On all the axes I can choose

00:08:30.602 --> 00:08:31.683 align:center
cubic pattern that me yes

00:08:31.723 --> 00:08:32.423 align:center
I really like it.

00:08:33.423 --> 00:08:35.664 align:center
And if I want patterns already very much

00:08:36.205 --> 00:08:37.766 align:center
If we're advanced, we could start exploring the

00:08:37.806 --> 00:08:39.747 align:center
other options that PrusaSlicer has,

00:08:39.847 --> 00:08:41.908 align:center
But it's not the most important thing.

00:08:41.948 --> 00:08:43.429 align:center
Right now to have a

00:08:43.469 --> 00:08:44.950 align:center
basic profile and to understand everything

00:08:45.010 --> 00:08:45.810 align:center
what's needed.

00:08:46.771 --> 00:08:50.113 align:center
So, subject fill, the percentage of

00:08:50.213 --> 00:08:51.434 align:center
density and pattern.

00:08:51.654 --> 00:08:53.335 align:center
And with that you go more than

00:08:53.395 --> 00:08:53.755 align:center
What's left?

00:08:55.016 --> 00:08:57.337 align:center
When I make a skirt, the skirt is

00:08:57.417 --> 00:08:59.198 align:center
It's all about those spins you make.

00:08:59.218 --> 00:08:59.759 align:center
the printer

00:09:00.958 --> 00:09:03.019 align:center
around the piece releasing material

00:09:03.219 --> 00:09:05.241 align:center
Before starting to manufacture the

00:09:05.361 --> 00:09:09.003 align:center
final piece, skirt if it is a

00:09:09.043 --> 00:09:10.784 align:center
parameter that I like to have activated,

00:09:11.585 --> 00:09:13.326 align:center
I could turn it off by setting a zero.

00:09:13.366 --> 00:09:15.627 align:center
Here or in my case I

00:09:15.687 --> 00:09:17.208 align:center
I'm only wearing two loops,

00:09:17.889 --> 00:09:20.110 align:center
For me if it matters

00:09:20.150 --> 00:09:21.031 align:center
which is called skirt or skirt,

00:09:22.612 --> 00:09:26.554 align:center
Because it allows me to purge the fuse.

00:09:26.714 --> 00:09:27.835 align:center
Before you start printing the

00:09:27.895 --> 00:09:28.155 align:center
piece of work.

00:09:28.275 --> 00:09:29.816 align:center
Allow me, if I have remains

00:09:29.876 --> 00:09:31.677 align:center
of an earlier color, allows me to

00:09:31.737 --> 00:09:32.197 align:center
Clean it up.

00:09:32.358 --> 00:09:34.259 align:center
And above all, it allows me to

00:09:34.279 --> 00:09:38.121 align:center
The printer, the head giving

00:09:38.181 --> 00:09:39.542 align:center
Turn around, let me see if the

00:09:39.602 --> 00:09:41.343 align:center
piece is well level and do

00:09:41.403 --> 00:09:42.864 align:center
A final early adjustment.

00:09:43.364 --> 00:09:44.885 align:center
So, on the subject of the

00:09:44.965 --> 00:09:47.247 align:center
Dress up, I do recommend you have it activated.

00:09:48.427 --> 00:09:49.587 align:center
We're going to go fast.

00:09:50.808 --> 00:09:51.788 align:center
Supporting material.

00:09:52.308 --> 00:09:54.409 align:center
These are quite important settings and

00:09:54.469 --> 00:09:54.849 align:center
Sometimes

00:09:58.410 --> 00:09:59.990 align:center
It is difficult to adjust the support

00:10:00.050 --> 00:10:00.730 align:center
Well to the piece.

00:10:01.510 --> 00:10:02.531 align:center
What am I going to look at?

00:10:02.551 --> 00:10:04.191 align:center
When you're with the settings of

00:10:04.271 --> 00:10:05.391 align:center
support of my piece?

00:10:06.292 --> 00:10:07.472 align:center
First setting I've got here.

00:10:09.274 --> 00:10:11.535 align:center
is to turn on or off

00:10:11.575 --> 00:10:12.155 align:center
the support.

00:10:12.495 --> 00:10:14.316 align:center
I'll activate the support when

00:10:14.416 --> 00:10:15.956 align:center
He thinks my piece is good.

00:10:15.976 --> 00:10:16.596 align:center
I'm going to need it.

00:10:16.857 --> 00:10:18.077 align:center
If not necessary, sometimes

00:10:18.517 --> 00:10:20.098 align:center
I'd better have it turned off.

00:10:20.158 --> 00:10:21.438 align:center
Because the support just goes away.

00:10:21.458 --> 00:10:23.719 align:center
to give more work, to consume

00:10:23.799 --> 00:10:25.239 align:center
More time and create worse

00:10:25.279 --> 00:10:25.699 align:center
I'm finished.

00:10:26.420 --> 00:10:28.300 align:center
So I'm often disabled.

00:10:28.340 --> 00:10:30.561 align:center
I'm focusing on the support.

00:10:30.761 --> 00:10:31.962 align:center
in correct orientation of the piece or

00:10:31.982 --> 00:10:33.922 align:center
In designing it so you don't need it.

00:10:33.982 --> 00:10:35.843 align:center
support, instead of printing it with

00:10:35.903 --> 00:10:36.263 align:center
Hold it up.

00:10:37.695 --> 00:10:39.356 align:center
If you have to use

00:10:39.376 --> 00:10:42.177 align:center
The support, I'll take care of it

00:10:42.237 --> 00:10:44.038 align:center
the angle to remove or put

00:10:44.118 --> 00:10:44.498 align:center
Hold it up.

00:10:44.658 --> 00:10:45.919 align:center
I'm going to move this angle of

00:10:45.959 --> 00:10:47.519 align:center
Flattened by 45 degrees

00:10:47.539 --> 00:10:49.600 align:center
to another value so that it is

00:10:49.640 --> 00:10:52.181 align:center
I'm more or less

00:10:52.241 --> 00:10:53.402 align:center
the surfaces of the piece.

00:10:55.008 --> 00:10:55.728 align:center
Another thing I

00:10:55.768 --> 00:10:57.889 align:center
I'll fix it, if when I

00:10:57.989 --> 00:11:00.330 align:center
I think the support and then the

00:11:00.410 --> 00:11:02.951 align:center
I'm trying to withdraw. It's very difficult.

00:11:03.071 --> 00:11:05.351 align:center
Remove it, I'll increase the distance

00:11:05.452 --> 00:11:07.012 align:center
Z contact, which is the

00:11:07.052 --> 00:11:08.973 align:center
the distance between the scaffolding

00:11:09.013 --> 00:11:11.674 align:center
of a kind used in the manufacture of motor vehicles

00:11:11.754 --> 00:11:12.274 align:center
of the piece.

00:11:12.994 --> 00:11:15.417 align:center
If that distance is too close,

00:11:16.298 --> 00:11:17.680 align:center
Very little, I'm going to

00:11:17.740 --> 00:11:19.062 align:center
fuse the support with the piece

00:11:19.082 --> 00:11:20.003 align:center
And it's going to be impossible for me

00:11:20.163 --> 00:11:20.664 align:center
Take it off.

00:11:21.185 --> 00:11:23.347 align:center
If it's too wide, I'll go.

00:11:23.367 --> 00:11:24.669 align:center
I'll be worse off in those.

00:11:24.689 --> 00:11:26.391 align:center
Surfaces that are going to hang

00:11:26.471 --> 00:11:27.312 align:center
above the support.

00:11:27.693 --> 00:11:28.834 align:center
So, that's another one of the

00:11:28.874 --> 00:11:29.956 align:center
things I'd look at.

00:11:31.077 --> 00:11:32.939 align:center
Style of support for my rectilinear

00:11:32.979 --> 00:11:34.940 align:center
It's all right and it's just

00:11:35.561 --> 00:11:38.884 align:center
I would change these two millimeters to set

00:11:40.024 --> 00:11:41.265 align:center
the density of the grid.

00:11:41.466 --> 00:11:43.047 align:center
I can choose a very dense grid

00:11:43.447 --> 00:11:45.649 align:center
I'm going to have to see every inch or so.

00:11:45.729 --> 00:11:47.410 align:center
I can choose a grid very little.

00:11:47.491 --> 00:11:48.972 align:center
I'll see him every ten minutes.

00:11:49.032 --> 00:11:49.612 align:center
It's a millimeter.

00:11:50.893 --> 00:11:53.696 align:center
I mean, once I decided

00:11:53.796 --> 00:11:55.397 align:center
generate support, I'll take care of it

00:11:55.417 --> 00:11:56.558 align:center
In the corner.

00:11:57.848 --> 00:11:59.209 align:center
in the distance to the piece,

00:11:59.809 --> 00:12:01.250 align:center
In the pattern and in the

00:12:01.310 --> 00:12:02.251 align:center
distance from the pattern.

00:12:02.571 --> 00:12:04.232 align:center
And with that, I'd have control.

00:12:04.733 --> 00:12:06.714 align:center
a suitable support for my piece.

00:12:10.096 --> 00:12:10.657 align:center
Speed, please.

00:12:11.057 --> 00:12:13.139 align:center
Speed I've said it many times.

00:12:13.399 --> 00:12:15.260 align:center
Speed is the parameter that

00:12:15.380 --> 00:12:16.921 align:center
It has a greater influence on the quality of

00:12:16.961 --> 00:12:17.421 align:center
the piece.

00:12:17.682 --> 00:12:18.562 align:center
It is the parameter in which

00:12:18.582 --> 00:12:20.704 align:center
It's easier to be wrong if I'm

00:12:20.764 --> 00:12:22.105 align:center
Printing at high speed.

00:12:23.047 --> 00:12:25.670 align:center
When I use high speeds, I'm

00:12:25.710 --> 00:12:26.351 align:center
increasing

00:12:26.852 --> 00:12:29.835 align:center
the stress of the hotend, the extruder,

00:12:30.336 --> 00:12:31.858 align:center
I'm increasing the stress of everything.

00:12:31.898 --> 00:12:33.420 align:center
The extrusion system and I'm

00:12:33.460 --> 00:12:35.643 align:center
increasing the vibrations of the piece.

00:12:35.663 --> 00:12:38.206 align:center
So, increasing the speed is the

00:12:38.246 --> 00:12:41.089 align:center
easiest way to get bad

00:12:41.189 --> 00:12:41.750 align:center
I mean, impressions.

00:12:42.731 --> 00:12:44.311 align:center
I come from tradition.

00:12:44.351 --> 00:12:45.712 align:center
of printing services three

00:12:45.772 --> 00:12:47.272 align:center
I want my pieces

00:12:47.712 --> 00:12:49.092 align:center
They end up with very good quality and

00:12:49.633 --> 00:12:53.333 align:center
They always go out. That's why I personally

00:12:53.973 --> 00:12:56.174 align:center
I print at low speeds here you can

00:12:56.254 --> 00:12:57.634 align:center
See my print profile and

00:12:58.454 --> 00:13:00.415 align:center
I print at forty millimeters per second.

00:13:01.155 --> 00:13:02.955 align:center
You can print faster if you can.

00:13:02.995 --> 00:13:04.376 align:center
printing at 40 to 50 a

00:13:04.536 --> 00:13:05.676 align:center
60 to 70

00:13:07.026 --> 00:13:09.387 align:center
But I prefer to print at low speeds.

00:13:10.028 --> 00:13:11.869 align:center
To make sure the pieces finish.

00:13:11.909 --> 00:13:12.049 align:center
I'll be right back.

00:13:12.729 --> 00:13:13.750 align:center
And in the same way, I have

00:13:13.790 --> 00:13:17.112 align:center
a very simple speed profile,

00:13:17.772 --> 00:13:20.614 align:center
forty millimetres, the rest between forty

00:13:20.654 --> 00:13:21.974 align:center
and 80 percent of

00:13:22.214 --> 00:13:23.555 align:center
forty, which are thirty-two,

00:13:25.016 --> 00:13:26.417 align:center
And that's it. I don't need much.

00:13:26.497 --> 00:13:28.678 align:center
More to have a profile that

00:13:28.738 --> 00:13:30.199 align:center
I get good parts yes or

00:13:30.259 --> 00:13:31.079 align:center
Yes, and that's what a

00:13:31.119 --> 00:13:31.960 align:center
I'm interested, all right?

00:13:35.490 --> 00:13:38.611 align:center
From here on out, we don't

00:13:38.651 --> 00:13:40.051 align:center
We use multiple extruders.

00:13:40.952 --> 00:13:42.092 align:center
The extrusion width is one

00:13:42.152 --> 00:13:44.353 align:center
Which I personally always disable because

00:13:44.553 --> 00:13:47.714 align:center
It's gotten me into trouble in other places.

00:13:47.794 --> 00:13:48.935 align:center
things, I'm putting it all to zero.

00:13:49.996 --> 00:13:51.978 align:center
And the only thing I care about

00:13:52.178 --> 00:13:53.880 align:center
From here, it would be the format.

00:13:53.960 --> 00:13:57.163 align:center
I always use this type.

00:13:57.223 --> 00:14:00.246 align:center
of this kind in

00:14:00.266 --> 00:14:02.088 align:center
the one that's the name the

00:14:02.168 --> 00:14:03.950 align:center
type of profile type

00:14:05.131 --> 00:14:06.492 align:center
and the type of filament with

00:14:06.532 --> 00:14:08.134 align:center
The time and material that

00:14:08.194 --> 00:14:08.574 align:center
It consumes

00:14:09.375 --> 00:14:12.937 align:center
I've always had an identity, though my

00:14:12.997 --> 00:14:14.737 align:center
the file is inside the printer,

00:14:15.377 --> 00:14:17.598 align:center
I always have an ID for what material.

00:14:17.638 --> 00:14:19.099 align:center
It's rolled, how long has it been?

00:14:19.119 --> 00:14:20.540 align:center
How long and with what profile

00:14:20.580 --> 00:14:21.220 align:center
It's been rolled.

00:14:21.760 --> 00:14:22.941 align:center
And so, even if I stay

00:14:23.001 --> 00:14:24.441 align:center
inside the Raspberry or inside

00:14:24.501 --> 00:14:26.182 align:center
From the SD card, I can always

00:14:26.382 --> 00:14:28.203 align:center
Go back and see how I've

00:14:28.243 --> 00:14:30.224 align:center
I generated that file to bring it back to

00:14:30.264 --> 00:14:30.684 align:center
printing.

00:14:30.984 --> 00:14:32.805 align:center
So, I'd look at this and

00:14:33.045 --> 00:14:33.465 align:center
A little more.

00:14:35.005 --> 00:14:36.206 align:center
That's all I know.

00:14:36.306 --> 00:14:38.607 align:center
refers to the printing profiles.

00:14:40.230 --> 00:14:40.791 align:center
Let's see

00:14:44.278 --> 00:14:46.122 align:center
how they reflect

00:14:46.323 --> 00:14:48.727 align:center
These printing profiles in the

00:14:48.828 --> 00:14:49.449 align:center
It's a real piece.

00:14:51.536 --> 00:14:52.917 align:center
Well, with the profile that

00:14:52.957 --> 00:14:55.819 align:center
We've been setting up, we've gotten,

00:14:55.979 --> 00:14:56.359 align:center
Apart from

00:14:56.419 --> 00:14:57.740 align:center
of course the filament and

00:14:57.760 --> 00:14:59.221 align:center
The printer, we'll see later,

00:14:59.701 --> 00:15:02.123 align:center
We've got this print result.

00:15:02.844 --> 00:15:04.084 align:center
Here you can see that we have used the

00:15:04.104 --> 00:15:05.765 align:center
standard profile that we've been defining

00:15:05.785 --> 00:15:07.327 align:center
with PLA and another printer.

00:15:08.147 --> 00:15:10.008 align:center
This is a profile you have

00:15:10.108 --> 00:15:12.690 align:center
Hold it and let's see what

00:15:12.710 --> 00:15:15.392 align:center
has happened with the settings that

00:15:15.412 --> 00:15:15.932 align:center
We put it on.

00:15:17.293 --> 00:15:20.554 align:center
When I'm in PrusaSlicer I can use

00:15:20.874 --> 00:15:22.535 align:center
This menu on the right.

00:15:22.555 --> 00:15:24.515 align:center
I repeat, I'm at PrusaSlicer, not

00:15:24.575 --> 00:15:26.036 align:center
in the sight of the solids,

00:15:26.636 --> 00:15:28.536 align:center
But in the G-Code preview.

00:15:29.137 --> 00:15:30.917 align:center
And here I can see the G-Code.

00:15:31.117 --> 00:15:32.738 align:center
who has begotten me.

00:15:33.758 --> 00:15:36.019 align:center
As you can see, in all the material

00:15:36.179 --> 00:15:36.439 align:center
green...

00:15:37.813 --> 00:15:39.294 align:center
They are the supporting material that

00:15:39.314 --> 00:15:41.694 align:center
He has created me, He has supported me,

00:15:42.254 --> 00:15:45.155 align:center
Surfaces which you have considered appropriate to

00:15:45.215 --> 00:15:47.936 align:center
This kind of zigzag profile,

00:15:49.177 --> 00:15:49.877 align:center
That's the one I gave you.

00:15:49.957 --> 00:15:50.917 align:center
I put it on.

00:15:51.938 --> 00:15:53.558 align:center
Here you can also see another of the

00:15:53.618 --> 00:15:55.339 align:center
things we've been setting up, that

00:15:57.359 --> 00:15:59.460 align:center
It's the skirt, you can do it

00:15:59.500 --> 00:15:59.600 align:center
Seeing

00:16:01.827 --> 00:16:04.870 align:center
in this green color, turning around

00:16:05.431 --> 00:16:05.952 align:center
to the piece.

00:16:06.112 --> 00:16:08.835 align:center
As you can see, just like him

00:16:08.855 --> 00:16:10.797 align:center
We said, he made us two.

00:16:10.897 --> 00:16:13.500 align:center
Fist lines giving the

00:16:13.560 --> 00:16:14.741 align:center
Go back to the room and go

00:16:14.761 --> 00:16:16.863 align:center
to allow so much to purge the extruder

00:16:19.666 --> 00:16:21.468 align:center
How to verify that the leveling of

00:16:21.508 --> 00:16:22.249 align:center
The bed is fine.

00:16:22.911 --> 00:16:24.172 align:center
And here I am, well here I am

00:16:24.232 --> 00:16:26.994 align:center
The legend, if I want to go

00:16:27.054 --> 00:16:28.235 align:center
to every detail or for

00:16:28.315 --> 00:16:29.016 align:center
You who may not

00:16:29.076 --> 00:16:30.357 align:center
You've never seen this show before.

00:16:30.397 --> 00:16:32.379 align:center
You have more, you'll want to check it out.

00:16:33.039 --> 00:16:34.520 align:center
And here I can already distinguish the

00:16:34.580 --> 00:16:37.002 align:center
basic elements in each

00:16:37.082 --> 00:16:37.302 align:center
The coating.

00:16:38.283 --> 00:16:40.805 align:center
I have the filling, which as you can see

00:16:40.845 --> 00:16:42.226 align:center
He created it with this profile.

00:16:42.826 --> 00:16:45.808 align:center
of a cross-sectional dimension not exceeding 10 mm,

00:16:45.848 --> 00:16:46.949 align:center
That I have pointed out to you and

00:16:47.529 --> 00:16:48.630 align:center
I got the perimeter.

00:16:49.230 --> 00:16:50.571 align:center
The perimeter is the rotation of

00:16:51.792 --> 00:16:53.493 align:center
The piece and he created me

00:16:54.414 --> 00:16:55.855 align:center
the outer perimeter because I have

00:16:55.895 --> 00:16:57.336 align:center
I'm supposed to have two perimeter.

00:16:57.436 --> 00:16:58.556 align:center
You can see it in orange and

00:16:59.397 --> 00:17:01.839 align:center
The inner perimeter you can see.

00:17:03.019 --> 00:17:03.880 align:center
in yellow.

00:17:04.140 --> 00:17:05.601 align:center
It's the two perimeter that gives you

00:17:05.721 --> 00:17:06.522 align:center
I asked you to do it.

00:17:07.322 --> 00:17:08.403 align:center
If you could see the piece from here,

00:17:08.483 --> 00:17:12.045 align:center
We've got the layer height, all of it.

00:17:12.085 --> 00:17:13.006 align:center
the layers which He has created me,

00:17:13.566 --> 00:17:15.367 align:center
And here, for example, in red,

00:17:17.628 --> 00:17:20.350 align:center
I have the floors and the ceilings.

00:17:20.810 --> 00:17:23.152 align:center
These are massive layers that I

00:17:23.172 --> 00:17:23.912 align:center
I've been creating.

00:17:24.433 --> 00:17:26.494 align:center
There are also other elements that incorporate

00:17:27.094 --> 00:17:27.895 align:center
CDSlicer. What is it?

00:17:28.703 --> 00:17:30.305 align:center
to complete the piece, but the

00:17:30.365 --> 00:17:32.527 align:center
The basics that we've been setting up

00:17:32.547 --> 00:17:34.909 align:center
In our print profile are

00:17:35.470 --> 00:17:36.831 align:center
those I've been pointing out to you.

00:17:37.993 --> 00:17:40.015 align:center
This vision is very useful for

00:17:40.235 --> 00:17:42.097 align:center
To understand the piece, to see everything

00:17:42.157 --> 00:17:43.098 align:center
What the laminator does and

00:17:43.378 --> 00:17:44.820 align:center
to correct mistakes, so

00:17:44.840 --> 00:17:45.741 align:center
I'm teaching you.

00:17:46.441 --> 00:17:48.484 align:center
Whenever I want to come here, I repeat,

00:17:48.644 --> 00:17:49.845 align:center
Instead of solid vision

00:17:49.905 --> 00:17:51.126 align:center
I'm coming to the preview.

00:17:52.107 --> 00:17:54.208 align:center
And here I can show you other views,

00:17:55.269 --> 00:17:56.550 align:center
For example, layer height,

00:17:56.570 --> 00:17:59.091 align:center
the fan, what speeds,

00:17:59.151 --> 00:18:01.573 align:center
volumetric flow, which are more options

00:18:01.653 --> 00:18:02.113 align:center
advanced.

00:18:02.133 --> 00:18:05.235 align:center
And here I can also activate others.

00:18:05.335 --> 00:18:07.176 align:center
In the case of the

00:18:07.256 --> 00:18:08.757 align:center
Interesting are the retractions.

00:18:09.978 --> 00:18:12.119 align:center
Every magenta point is a retracement.

00:18:14.030 --> 00:18:15.290 align:center
And here I can see, for example,

00:18:15.870 --> 00:18:17.011 align:center
That I might find

00:18:17.111 --> 00:18:20.031 align:center
Dots on this surface because it's

00:18:20.071 --> 00:18:22.512 align:center
It's full of retractions.

00:18:22.532 --> 00:18:25.193 align:center
Where have you been creating the retracements?

00:18:25.253 --> 00:18:26.773 align:center
Withdrawal is a source of trouble.

00:18:26.853 --> 00:18:29.594 align:center
A piece with a lot of retractions can

00:18:29.634 --> 00:18:32.154 align:center
show seams on these surfaces and

00:18:32.374 --> 00:18:33.195 align:center
It's gonna stress me out the most.

00:18:34.715 --> 00:18:35.375 align:center
the extruder.

00:18:35.415 --> 00:18:38.396 align:center
So, I can always help myself with,

00:18:38.456 --> 00:18:41.517 align:center
For example, this vision to detect

00:18:41.557 --> 00:18:42.797 align:center
other problems or change of

00:18:42.877 --> 00:18:43.197 align:center
What color or...

00:18:43.797 --> 00:18:45.299 align:center
or the retracing or all

00:18:45.359 --> 00:18:45.939 align:center
Whatever I want.

00:18:47.520 --> 00:18:48.822 align:center
I'm in a way.

00:18:48.902 --> 00:18:51.964 align:center
Very advanced visualization, I can see

00:18:52.965 --> 00:18:54.887 align:center
How are you going to make me

00:18:54.967 --> 00:18:56.408 align:center
Each layer in order.

00:18:56.588 --> 00:19:00.151 align:center
I mean, apart from seeing any

00:19:00.251 --> 00:19:02.333 align:center
layer, I can put myself in one of

00:19:02.373 --> 00:19:04.535 align:center
And see how it goes.

00:19:04.555 --> 00:19:05.636 align:center
I'm going to do it little by little.

00:19:05.856 --> 00:19:06.937 align:center
I can see here, for example, that

00:19:06.977 --> 00:19:08.799 align:center
It starts with a yellow perimeter, which

00:19:08.819 --> 00:19:09.779 align:center
It's an inner perimeter,

00:19:10.770 --> 00:19:12.210 align:center
Then he makes me the outer perimeter,

00:19:12.331 --> 00:19:13.071 align:center
That's one thing that

00:19:13.111 --> 00:19:15.772 align:center
I've set it up because the perimeter

00:19:15.812 --> 00:19:17.012 align:center
the external, which is the one that requires

00:19:18.112 --> 00:19:19.673 align:center
Better finished, usually done later.

00:19:20.333 --> 00:19:23.474 align:center
Then it goes to the diameter.

00:19:23.514 --> 00:19:25.995 align:center
the outside that you're manufacturing, perimeter

00:19:26.035 --> 00:19:26.395 align:center
the interior,

00:19:27.035 --> 00:19:28.856 align:center
outside perimeter and then I leave

00:19:28.896 --> 00:19:30.776 align:center
to make a filling, which in

00:19:30.816 --> 00:19:32.597 align:center
This case is a hundred ceilings.

00:19:32.637 --> 00:19:33.817 align:center
One hundredth of a mass and you see.

00:19:33.857 --> 00:19:34.738 align:center
the order in which it does

00:19:34.798 --> 00:19:34.938 align:center
I mean, everything.

00:19:35.898 --> 00:19:36.899 align:center
So this is the last one.

00:19:36.959 --> 00:19:38.620 align:center
option, it's a more advanced option

00:19:38.740 --> 00:19:41.643 align:center
To see each layer in what

00:19:41.903 --> 00:19:43.624 align:center
Order is being made to distinguish

00:19:43.704 --> 00:19:44.545 align:center
major problems.

00:19:45.546 --> 00:19:46.366 align:center
With that I think we have

00:19:46.406 --> 00:19:48.368 align:center
I have made a rather thorough review of

00:19:48.428 --> 00:19:50.750 align:center
all printing settings, of

00:19:51.410 --> 00:19:53.332 align:center
How to proceed to preview later

00:19:53.352 --> 00:19:56.114 align:center
to look at it and possibly fix it and

00:19:56.594 --> 00:19:58.936 align:center
You already have some pretty good notions.

00:19:59.657 --> 00:20:01.498 align:center
of the printing parameters which:

00:20:01.538 --> 00:20:03.360 align:center
can be set up in PrusaSlicer.